Untitled Collection
Untitled Collection
Untitled Collection
Nikolay Naydenov . 2026
Nikolay Naydenov . 2026
Nikolay Naydenov . 2026
I work with a material that has its own behavior. I don’t start with an image, but with how it reacts — where it yields, where it resists. I cut, bend, press, and stop at the point where the form begins to hold itself.
I work with a material that has its own behavior. I don’t start with an image, but with how it reacts — where it yields, where it resists. I cut, bend, press, and stop at the point where the form begins to hold itself.
I work with a material that has its own behavior. I don’t start with an image, but with how it reacts — where it yields, where it resists. I cut, bend, press, and stop at the point where the form begins to hold itself.
The surface keeps that. I don’t smooth it out completely — I leave the traces of the process visible. Color comes later. Not as decoration, but as an intervention — a block that interrupts, holds, or adds weight.
The surface keeps that. I don’t smooth it out completely — I leave the traces of the process visible. Color comes later. Not as decoration, but as an intervention — a block that interrupts, holds, or adds weight.
The surface keeps that. I don’t smooth it out completely — I leave the traces of the process visible. Color comes later. Not as decoration, but as an intervention — a block that interrupts, holds, or adds weight.
The works are small, but I don’t think of them as studies. Each one is a self-contained decision. I’m not looking for balance, but for a held tension between elements.
The works are small, but I don’t think of them as studies. Each one is a self-contained decision. I’m not looking for balance, but for a held tension between elements.
The works are small, but I don’t think of them as studies. Each one is a self-contained decision. I’m not looking for balance, but for a held tension between elements.
What remains in the end is not an idea, but a record of how it was made.
What remains in the end is not an idea, but a record of how it was made.
What remains in the end is not an idea, but a record of how it was made.
— Nikolay Naydenov
— Nikolay Naydenov
— Nikolay Naydenov
Edition count . 1
$1,800.00
Edition count . 1
$1,800.00
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Upcoming
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New work is coming.
New work is coming.
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